








George Lucas is best known for his Star Wars series of films,
and, aside from the light saber battles between Jedis, the sequence at
the end of his 1977 original was probably his most memorable. It was
essentially an outer space dogfight between X-wing space ships. In
subsequent films, those dogfights were amped up with special effects,
but, despite the titles, those movies were less about what was going on
up in the sky, as they were about what was going on on the ground.
As I watched Red Tails, I certainly felt the influence of Lucas who is the producer and chief financier, as well as the influence of Star Wars.
This story, however, is more about what's going on up in the sky. The
opening sequence certainly sets this precedent. The opening is a
glorious World War II aerial battle unlike you've ever seen.
Using NetFlix, I've gone back and watched several films involving aerial combat. I began with Top Gun,
starring Tom Cruise, which was dubbed the "Star Wars on Earth,"
according to Jerry Bruckheimer on that movie's DVD commentary. I would
submit that Red Tails is the actual "Star Wars on Earth" but minus all the family melodrama and Jedi mumbo jumbo.
In lieu of the mumbo jumbo, we get a significant and highly overlooked
piece of history that has really been broached only twice on any kind of
grand scale. That piece of history is the service of African-Americans
in the U.S. military. Ed Zwick broached the subject in Glory (1989) and Spike Lee did the same in Miracle at St. Anna (2008). But, again, both those movies were about what was happening on the ground.
Red Tails tells of the Tuskegee airmen and their historic
missions in Italy 1944. The movie quotes a 1925 U.S. Army War College
study that concluded that African-Americans weren't fit to fight in
aerial combat. Everyone here is aware of the racism that existed, but
this movie doesn't dwell in this racism. This movie dwells on what this
group of young African-Americans could do, as opposed to what they
couldn't.
The Tuskegee airmen weren't the first black airmen. Bessie Coleman was
actually the first black female to get an aviation license in 1921.
Hubert Julian, "The Black Eagle of Harlem," drew headlines for his
aviation in 1922 and James Herman Banning in 1932 became the first black
aviator to fly from coast to coast, from Los Angeles to Long Island,
NY. Yet, it wasn't until 1941 that the government authorized or rather
forced the military to create an all-black air unit of which the
Tuskegee Institute in Alabama was a training school.
The 99th Flying Squadron was formed, specifically for African-Americans
and out of that came the 332nd Fighter Group, which is the group that
this movie focuses. Many men were trained but many of them weren't
allowed to enter the frontlines, considered still to be inferior, even
though the graduates rose in the ranks to officers just as proficiently
as any white man. It took some pushing and some bravery but eventually
those Tuskegee airmen in Italy got to take to the sky in real battles.
Those men were nicknamed "Red Tails" in light of the color painted on
the rear of the P-51 Mustangs that they ultimately flew.
Director Anthony Hemingway who is known more for directing TV shows like Treme and CSI: NY
tackles his first feature film here and he wrangles an excellent
ensemble of young black actors in what Lucas is dubbing the first
all-black action film. Obviously, there have been action films with
black characters in the lead. Will Smith has starred in quite a few of
them, but, as far as I've seen, there has never been an action film, one
that required $100 million to make, where the cast was predominantly
African-American.
We're first introduced to the 332nd's four best pilots. Each is called
by their nicknames. The first is Easy, played by Nate Parker (Pride and The Great Debaters).
He's the captain of the group, the leader when in the air. He's
straight-laced, always wanting to follow protocol, mostly because he's
under pressure and doesn't want to take any risks that would cause him
to lose a man and he never wants to give up on any man under his
command.
This is in contrast to Lightning, played by David Oyelowo (The Last King of Scotland and Rise of the Planet of the Apes).
Lightning is impulsive, a fly-by-the-seat-of-my-pants and
go-with-my-gut kind of guy. Some might call him reckless. Some may see
him as just passionate. He disagrees and often disobeys Easy's orders in
order to do whatever he feels will stop the Germans. He also does
whatever he feels will get the Italian girl. Like in Miracle at St. Anna, as well as Flyboys (2006), Lightning has a romance with a girl whom speaks a different language.
Based on the book by John B. Holway, John Ridley and Aaron McGruder's
screenplay centers a lot on Easy and Lightning, but it also allows us to
get to know a half-dozen more. We get to know them, and not just in a
passing way. This movie gives each of its characters a chance to stand
out and bring in different aspects and experiences that comprised the
uniqueness of the Tuskegee airmen. That includes Tristan Wilds (The Wire and 90210) who plays Ray Gun, a Tuskegee P.O.W., as well as Marcus T. Paulk (Moesha and The Proud Family) who plays Deke, a rookie who is guided mostly by faith and love of country.
In fact, all these young men act for the love of country. Again, the
racism aspect is minor, as the Tuskegee airmen had to fight in order to
be able to fight, but the real crux is the fortitude and wits of these
men to accomplish what they did.
The aerial combats are amazing. It's not Top Gun in that Hemingway and his team didn't film actual fighter jets as they flew around. He's no Howard Hughes doing Hell's Angels.
Using techniques that Lucas used over 30 years ago, along with the CGI
and motion capture tricks that have become common, Hemingway crafts
aerial combats that are thrilling and in many ways beautiful. Hemingway
and his team put us right in the cockpits and keep us there in the best
ways.
The supporting cast is superb. They include Oscar-winner Cuba Gooding Jr. (Jerry Maguire), Oscar-nominee Terrence Howard (Hustle & Flow), and future award winners, in my estimation, Elijah Kelley (Hairspray) and Michael B. Jordan (Friday Night Lights).
All these men contribute greatly to this film. It's strong. It's
exciting. It's fun. It's the best movie that George Lucas has ever
produced. No, it may not ever make as much money or receive as many
accolades as Star Wars, but what he's done here is so much more important.
Five Stars out of Five.
Rated PG-13 for war violence.
Running Time: 2 hrs.
Red Tails made the cover of Ebony magazine. Here is a link to that article. http://www.ebony.com/entertainment-culture/red-tails-the-black-top-gun
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