








Director Jon Garcia gave an interview
that was posted back in September for the Vancouver Queer Film
Festival. His comments confirmed some thoughts I had about his second
feature film The Falls, a love story and a slight coming-of-age
tale about a Mormon missionary. There is a scene where Garcia puts his
two main actors on the street to approach people and try to convert them
to Mormonism. When I first saw the scene, it looked as if everyone in
the scene aside from the two guys playing the Mormons were not actors
but real people that happened to be walking the street. Garcia's
interview confirmed that this was true.
On one hand, it shows how low budget the film was, even though bigger movies have done the same. Borat and Bruno
with Sacha Baron Cohen employed this tactic of putting an actor in a
real environment among real people and having that actor interact with
those real people while staying in his character. Cohen did it to
comedic effect, whereas Garcia does it to dramatic effect. In Cohen's
film, the point is not how convincing he is as an actor but almost how
gullible the real people are to accept or tolerate Cohen's
ridiculousness. In Garcia's film, it's almost the opposite. It is about
how good the two actors are, even if it's something you only realize in
retrospect.
That's really what this movie is. It's a showcase for two fantastic,
young actors, guided by what I can only imagine was a fantastic
screenplay by Jon Garcia. The movie doesn't do anything more complicated
than bring its main characters to a point where they can be honest
about their feelings, which is all you can ask of any movie or any
actor. The trick is to make that honesty believable, which sounds odd,
but sometimes honesty isn't believable.
Garcia doesn't do anything more complicated than give his actors the
floor. Going off his interview for the Vancouver Queer Film Festival, I
gather that Garcia didn't give too many strict directions to his actors
but simply let them, in crucial moments, do what they wanted or at least
interpret crucial moments how they saw fit. This may sound like Garcia
isn't being much of a "director," if he's just letting his actors do
what they want.
Yet, some of the greatest filmmakers ever like Robert Altman and others
have said that sometimes, for certain movies, the best thing a director
can do is find great actors, put together a great cast, and then get out
of their way and just make sure the camera is rolling. That's what
Garcia does and that in itself shows a kind of brilliance on his part. A
brilliant director has to be able to recognize great acting and not do
anything that messes it up. A director can't be like Ed Wood and think
that any old acting is passable.
It's not as if Garcia doesn't make any choices or give any direction.
Garcia's entire movie is a choice. He spent the better part of a year,
months and months in fact, researching the Church of Jesus Christ of
Latter-Day Saints (LDS). His movie then offers up a story that tackles
the biggest challenge to LDS, other than the stigma of Warren Jeffs and
polygamy. Garcia offers up a story of homosexuality.
One can argue that homosexuality is no more a challenge for LDS than it
is in any other church or religion like Islam. Yet, it's more of an
issue for LDS lately because of what was discovered a couple of years
ago regarding its role in the Prop 8 case in California. Garcia makes
the choice to challenge LDS but not all together condemn it. It's
assumed that his main characters, despite their realizations, never lose
their faith. More than just an assumption, by the end, both characters
agree that they're not apostate.
Nick Ferrucci stars as RJ Smith, a 20-year-old, LDS member from Idaho
Falls, Idaho, who opens the movie with narration similar to that of Ewan
McGregor's in Beginners (2011). You get the sense that RJ might
be what Mitt Romney was at the age of 20, only far less wealthy. After
attending a Missionary Training Center or MTC, RJ goes to Portland,
Oregon, for a two-year mission that all Mormon men have to serve, which
requires them to do all they can to spread the word of LDS-founder
Joseph Smith and try to convert as many people as possible.
Benjamin Farmer co-stars as Chris Merrill, a slightly-older LDS member
from Salt Lake City who becomes RJ's mission companion, which every
Mormon has. Their missionary work is always in pairs. Merrill is the
more experienced and more dedicated missionary. At first, things are
normal. Like with the boys in Latter Days (2003), they do their
Bible studies. They ride their bikes. They do door-to-door
proselytizing. They talk and play basketball. Unlike the boys in Latter Days, RJ and Merrill eat Lucky Charms cereal, which is actually Merrill's favorite food.
If you didn't know the premise, you might think this movie was moving
toward some kind of deconstruction where either RJ or Merrill might
become apostate. Obviously, there are clues from the very beginning, but
you never assume that either one is gay. After a while, it's clear that
that's where the movie's going and it's just a matter of who's going to
break first.
Other than that, this movie is a series of great, individual, acting
moments, mainly by Ferrucci and Farmer, but also from great supporting
actors like Quinn Allan who plays Elder Harris, RJ and Merrill's
supervisor, and Brian Allard who plays Rodney, an Iraq war veteran that
RJ and Merrill frequently visit. Two of the great acting moments include
two monologues, one delivered by Farmer and the other by Ferrucci.
A lot of the movie works on what isn't said and just the looks on the
actor's faces, but these two monologues, which are shot in close-up
without a lot of edits or cutaways, really suck the audience in. One
monologue shows a character's excitement over his faith, while the other
monologue shows the opposite, a character's disappointment over his
faith. If I wasn't convinced how good of an actor each of these guys
were, these monologues more than prove it. They make you believe every
word that they say and they make you feel everything that their
characters feel.
Five Stars out of Five.
Not Rated but contains sexual situations and nudity.
Running Time: 1 hr. and 29 mins.
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