Jhett Tolentino is a Filipino theater producer. He's the second Filipino to win the Tony Award. He won for Best Play, Best Revival of a Play and Best Musical. The latter two he won on the same night at the 68th Tony Awards in 2014. He won Best Musical Theater Album at the 59th Grammy Awards for producing the album for The Color Purple (2015). He produced an independent film called Lingua Franca (2020), which was about a Philippine-American, trans woman. However, this film is Tolentino's feature directorial debut. It's a sweet and unassuming, romantic comedy.
Ever since the success of Crazy Rich Asians (2018), it seemed as if Hollywood might open the door to more romantic comedies and more films that featured Asian or Asian American leads in the theatrical space. Streaming services like Netflix and Prime Video picked up the slack, such as with Always Be My Maybe (2019) and The Half of It (2020). The Lifetime Channel produced its first Asian American romantic comedy called A Sugar & Spice Holiday (2020) and so did Hallmark Channel with Christmas at the Golden Dragon (2020). However, another Asian American romantic comedy to hit theaters hasn't really happened. As Sean Baker, the director of the Oscar-winning Anora (2024), said, the theatrical release is very important and should be encouraged.
Dante Basco (But I'm a Cheerleader and Hook) stars as Mickey de los Santos, a Filipino-American who lives in New York City. He's the owner of a coffee shop called "Da Fili Beans." He's recently divorced and he's sharing custody with his ex-wife. His business is struggling financially and he now has alimony payments, which he feels he can't afford. Through flashbacks, we learn how Mickey met his ex-wife, how they fell in love and ultimately how they broke up. Yet, it's clear that he didn't want to break up, even though it was arguably his fault. It becomes clear that he still loves her. He becomes swamped with his debts, including child support and rent, and that becomes his motivation for the immediate future.
KC Concepcion (Boy Golden: Shoot to Kill and Forever and a Day) co-stars as Avery Chua, the ex-wife in question. She's a very successful woman, perhaps not too successful, if she's supposed to be getting alimony from Mickey. Yet, during the divorce meeting, she doesn't seem to be too demanding. It's almost as if she doesn't want to divorce either. Later, we see her living in what looks like a fancy or upscale apartment. We see her dressed in designer clothes. She seems to work in the fashion industry and even has an assistant. She has very trendy and stylish friends who take her shopping in what looks like a luxury boutique. From what it appears, Avery should be paying Mickey alimony and not the other way round.
What screenwriter, Mike Ang, in his feature debut, crafts is not really too much concerned with the set up. That set up seems instead to be just an excuse to get us into another modern-day adaptation of the classic Cyrano de Bergerac (1897) story. Most adaptations of the Edmond Rostand work will typically have some spin on the basic concept. Alice Wu's The Half of It was also an adaptation of Rostand's play, which was about a loving but self-doubting man who communicates to the woman that he loves through a more handsome suitor who also is interested in that same woman. Rostand had basically concocted an early form of what's now known as catfishing. Wu's spin on that concept was making Cyrano not be a loving but self-doubting man but instead a teenage, Asian American girl who was essentially a lesbian. Ang's spin is that Mikey who is this film's Cyrano is instead the ex-husband of the woman being pursued.
Paolo Montalban (Descendants: The Rise of Red and Cinderella) plays Lee Kwan Prince, the more handsome suitor who is endemic to Rostand's love triangle. He's the puppet in this equation, an awkward, financial analyst who works on Wall Street. He's better at talking about numbers and the Dow Jones than he is talking to women. Montalban is probably best known for playing a Prince Charming type. It's not clear if the filmmakers had Montalban in mind for this character, but having him play a character with the surname of "Prince" and play against that type is somewhat clever.
Lee wants to use Mickey who is Avery's ex-husband to romance Avery. Mickey isn't exactly Will Smith in Hitch (2005) where he's coaching Lee. Mickey instead goes with Lee on dates with Avery and feeds lines to Lee through a wireless earpiece. Avery doesn't realize that Lee is a literal puppet through which Mickey communicates. There's a lot of complications and a lot of humor that could've been mined from this premise. The only thing we get is Mickey dressing up in disguise during one of Lee's dinner dates with Avery. To the screenplay's credit, it doesn't drag out the premise, but, at the same time, it doesn't elicit or wring much comedy out of the premise either. The story goes quickly in and out.
Kevin Kreider rounds out the cast as Caspian Jang, the Korean-American best friend to Mickey. He's probably in his late 30's, early 40's, yet he acts like an older brother and sometimes like a frat boy. He works as a bartender and seems only concerned with hooking up with beautiful women. Yet, he only dates White women specifically. The film doesn't really have an interest in delving into that aspect of Caspian. If one wants an exploration of that idea of Asian men dating White women, you can check out Randall Park's Shortcomings (2023). Kreider is best known for the reality show Bling Empire (2021), but he's mainly the comic relief here, a bit of a himbo.
Despite being a himbo, we don't get much sexuality in this film. The most is a scene where Kreider is shirtless, and another where Concepcion shows some cleavage, but we don't see any characters kiss at any point. The film is very chaste. In that regard, Basco and Concepcion only get one scene or sequence where the two get a chance to show any chemistry between each other. For anyone who was a child of the 90's, you most likely remember Spielberg's Hook and how dynamic Basco was, even as a teenager. Here, he's more a muted, girl dad. It's a different and more subtle performance that Asian American men rarely get.
Not Rated but for general audiences.
Running Time: 1 hr. and 34 mins.
In select theaters, including in Washington, DC and Philadelphia.
Available on VOD on May 27.